Strategi Bekraf terhadap Pengembangan Ekonomi Kreatif di Indonesia melalui Regional Comprehensive Economic Partnership

Authors

  • Fony Safitri Vami
  • Denada Faraswacyen L. Gaol

Keywords:

creative economy, national interest, RCEP

Abstract

In this study to discuss how Bekraf’s strategy in developing the creative economy in Indonesia through the Regional Comprehensive Economic Partnership which makes creative economics as a new national interest. This study aims to describe about Bekraf’s strategy towards developing the creative economy in Indonesia through the Regional Comprehensive Economic Partnership. The research method used is descriptive-qualitative. The type of data used is primary and secondary with primary data collection techniques through interviews with diplomatic functional officials Directorate of ASEAN Economic Cooperation, Ministry of Foreign Affairs and analyst staff bilateral and regional cooperation, the Creative Economy Agency and library studies as secondary data. Every government institution has a strategic plan to develop the existing potential in Indonesia. Also with Bekraf who sought a variety of strategies in the cooperation of RCEP. RCEP itself is a new breakthrough in the world of free trade that includes 16 countries (ASEAN +6 FTA Partners) in the Asia and Pacific region. This RCEP agreement also discusses the creative economy which is included in the creative economy is very enthusiastic about this, which can make the Indonesian economy better. This study sees a correlation between the strategies made by Bekraf in the RCEP agreement which is in certain area because of the existence of an Indonesian national interest to be achieved.

References

ASEAN. (2016). “Regional Comprehensive Economic Partnership.” http://asean.org/?static_post=rcep-regional-comprehensive-economic-partnership
Astari, Anindita. (2014), “Keterkaitan Antara Regionalisme Ekonomi Dengan Globalisasi Ekonomi.” Universitas Indonesia: Tugas Karya Akhir Prodi Ilmu Hubungan Internasional.
Badan Ekonomi Kreatif. (2015). (a). “Tonggak Baru Ekonomi Kreatif.” http://www.bekraf.go.id/profil
Badan Ekonomi Kreatif. (2015). (b). “Subsektor Bekraf.” http://www.bekraf.go.id/subsektor
Basuki, Galang Fitriandaru. (2019). Analis Kerja Sama Bilateral dan Regional (Staf Direktorat Hubungan Antar Lembaga dan Luar Negeri) Badan Ekonomi Kreatif Indonesia. Jakarta: Bekraf, Gedung Kementerian BUMN. Wawancara, 21 Mei.
Burchill, Scott. 2005. The National Interest in International Relations Theory. United Kingdom: Palgrave.
Gamble, Andrew & Anthony Payne. (1996). Regionalism and World Order. New York: Palgrave Macmillan.
Hurrell, Andrew. (1992). Latin America in the New World Order: A Regional Bloc of the Americas?. International Affairs 68, No. 1
Irawan, Andri. (2015). “Ekonomi Kreatif Sebagai Suatu Solusi Mensejahterakan Masyarakat Dalam Meningkatkan Tingkat Perekonomian.” Jurnal Elektronik.
Lolorenta N, Ester Luciana. (2015). “Strategi Customer Service dalam Mempromosikan Paket Always On pada Pengunjung Gerai 3 (Tri) Store Bandarlampung.” Universitas Lampung: Skripsi.
Pahlevi, Andreas Syah. (2017). “Gagasan Tentang Pengembangan Ekonomi Kreatif Nasional (Studi Pada Potensi, Peluang Dan Tantangan Ekonomi Kreatif Di Kota Malang).” Jurnal Elektronik.
Purnomo, Rochmat Aldy. (2016). Ekonomi Kreatif: Pilar Pembangunan Indonesia. Surakarta: Ziyad Visi Media.
Yahya, Muhammad. (2018). “Era Industri 4.0: Tantangan dan Peluang Perkembangan Pendidikan Kejuruan Indonesia.” Pidato Pengukuhan Penerimaan Jabatan Professor Tetap dalam Bidang Ilmu Pendidikan Kejuruan Fakultas Teknik Universitas Negeri Makassar, Disampaikan pada Sidang Terbuka Luar Biasa Senat Universitas Negeri Makassar Tanggal 14 Maret 2018.

Downloads

Published

2020-03-03

How to Cite

Vami, F. S., & Gaol, D. F. L. (2020). Strategi Bekraf terhadap Pengembangan Ekonomi Kreatif di Indonesia melalui Regional Comprehensive Economic Partnership. Balcony, 4(1), 93–102. Retrieved from https://jom.fisip.budiluhur.ac.id/index.php/balcony/article/view/242

Issue

Vol. 4 No. 1 (2020)

Section

Articles

License

In submitting the manuscript to the Balcony (Budi Luhur Journal of Contemporary Diplomacy) , the authors certify that:

  • They are authorized by their co-authors to enter into these arrangements.
  • The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal.
  • That it is not under consideration for publication elsewhere,
  • The publication has been approved by the author(s) and by responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
  • They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
  • They agree to the following license and copyright agreement.

License and Copyright Agreement

Authors who publish with Balcony (Budi Luhur Journal of Contemporary Diplomacy) agree to the following terms:

  1. Authors retain copyright and grant the Balcony (Budi Luhur Journal of Contemporary Diplomacy) right of first publication with the work simultaneously licensed under Creative Commons Attribution License (CC BY 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
  2. Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the Balcony (Budi Luhur Journal of Contemporary Diplomacy) published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.

Most read articles by the same author(s)