Kebijakan Luar Negeri Tiongkok terhadap Pengembangan Industri Game Online di Kawasan Asia Tenggara 2014 – 2018
Soft Power Tiongkok dalam Industri Game Online
Keywords:
online game, soft power, ChinaAbstract
This article examine how the online game industry becoming one of China instrument on delegating their soft power. Soft power concept are being use to analyze how and to what extend China influence on using online game industry through their foreign policy. The result of this research are showing China dominating the online game industry and manage to create a new perspective that their country are the center of the online game industry.
References
Alden, Chris & Amnon Aran. (2016). Foreign Policy Analysis New Approaches Second Edition. London.
Berg, Bruce L. (2001). Qualitative Research Methods for The Social Science. Needham Heights: Pearson Education Company
Chew, Matther M. (2016). A Critical Cultural History of Online game s in China 1995-2015. Sage Journal.
China Ministry of Culture. 2010. “Interim Measure for the Administration of Online game â€.
Chinnovation Ltd. (2015). “China’s Regulatory Environment for Game sâ€. Neogame s.
CLAIRFIELD International .(2016). “Gaming Industry Facts. Figures And Trendsâ€.
Cresswell, John W. (2003). Research Design Qualitative, Quantitative. and Mixed Methods Approaches Second Edition. California: Sage Publications, Inc.
Entertainment Software Association. (2014). Essential Facts About The Computer and Video Game Industry.
EU SME Centre. (2014). “Report: Culture and Creative industries in Chinaâ€.
Fung, Anthony Y.H. (2016). “Strategizing for Creative Industries in China: Contradictions and Tension in Nation Brandingâ€. China: Chinese University of Hong Kong.
Fung, Anthony Y.H . (2014). “Online game s and Chinese National Identitiesâ€. Dlm. Lee, H., Lim, L. Cultural Policies in East Dynamics Between The State, Arts and Creative Industries.
Fung, Anthony Y.H & Qiolei Jiang. (2017). “Game s With A Continuum: Globalization. Regionalization. and The Nation-State in the Development of China’s Online game Industryâ€. Sage Publication, inc.
Gan, Aron. (2014). “Between the causeway: Piracy and game s in 90s Singaporeâ€. Asian gaming histories e-zine
Hjorth, Larissa & Chan, Dean. (2009). Gaming Cultures and Place in Asia-Pacific.
Jason Thomas. (2019). Consumerism in Southeast Asia. (https://theaseanpost.com/article/consumerism-southeast-asia), Diakses pada 28 maret 2019
Jin, Dai Yong. Florian Schneider. (2016). “The Dynamics of Digital Play in Asiaâ€. ASIACAPE Digital Asia.
Joseph S. Nye, Jr. (2008). “Public Diplomacy and Soft Powerâ€, Annals of the American Academy of Political and Social Science, Vol. 616.
Kang, Jung & Sang-Yong Tom Lee. (2014). Korean Online game ’s Platform Competition under Two-Sided Market Characteristic. Journal of Global information.
Kshetri, Nir. (2010). “The Evolution of the Chinese Gaming Industryâ€. Journal of Technology Management in China.
Matt Synder. (2018). “China’s Digital Game Sector. U.S.-China Economic and Security Review Commissionâ€. Staff Research Report.
Mfun. (2018). “Play & Propel The Local Gaming Industry: The first and largest ecosystem to reward users in Southeast Asiaâ€. Mfun Investment Pte.Ltd
Moore, Ieva. (2013). “Cultural and Creative Industries Concept: a historical perspectiveâ€.Elsevier. Prosiding Social and Behavioral Science. Latvia.
Nobuya, Fukugawa. (2011). “How Serious is Piracy in the Videogame Industry?â€. graduate school of Engineering Tohoku University.
Nojima, Miho. (2007). “Pricing Model and Motivations for MMO playâ€. DiGRA Confrence 2007.
Scholte, Jan Art. (2007). “Defining Globalizationâ€. Coventry: clm economia
SEGA. (2018). “SEGA Sammy Holding Intergrated Report 2018â€.
South Korea Ministry of Strategy and Finance. KOREA University. (2014). “The Succes Story of the Cultural Industry in Korea: The Case of the Game Industryâ€.
Newzoo. (2015). “Preview of Southeast Asian Game s Market: Opportunities in the World’s Fastest Growing Regionâ€.
Terra, Antoni. (2016). “Copyright Law and Digital Piracy: An Econometric Global Cross-national Studyâ€. Journal of Law and Technology Vol 18, No. 1
Ting, Tin Tin. (2017). “Video Game s and Its Economy Impact in Southeast Asia Countryâ€. Malaysia: Tuanku Abdul Rahman University.
USC US-China Institute. Lisa Hanson. (2018). Lisa Hanson Discusses Video Gaming in China. (https://www.youtube.com/watch?v=IewpZBOut08), diakses pada 15 mei 2019
Zhang, Ling. (2013). Productive Vs Pathological: The Contested of Video Game s in Post Reform China. International Journal of Communication.
Berg, Bruce L. (2001). Qualitative Research Methods for The Social Science. Needham Heights: Pearson Education Company
Chew, Matther M. (2016). A Critical Cultural History of Online game s in China 1995-2015. Sage Journal.
China Ministry of Culture. 2010. “Interim Measure for the Administration of Online game â€.
Chinnovation Ltd. (2015). “China’s Regulatory Environment for Game sâ€. Neogame s.
CLAIRFIELD International .(2016). “Gaming Industry Facts. Figures And Trendsâ€.
Cresswell, John W. (2003). Research Design Qualitative, Quantitative. and Mixed Methods Approaches Second Edition. California: Sage Publications, Inc.
Entertainment Software Association. (2014). Essential Facts About The Computer and Video Game Industry.
EU SME Centre. (2014). “Report: Culture and Creative industries in Chinaâ€.
Fung, Anthony Y.H. (2016). “Strategizing for Creative Industries in China: Contradictions and Tension in Nation Brandingâ€. China: Chinese University of Hong Kong.
Fung, Anthony Y.H . (2014). “Online game s and Chinese National Identitiesâ€. Dlm. Lee, H., Lim, L. Cultural Policies in East Dynamics Between The State, Arts and Creative Industries.
Fung, Anthony Y.H & Qiolei Jiang. (2017). “Game s With A Continuum: Globalization. Regionalization. and The Nation-State in the Development of China’s Online game Industryâ€. Sage Publication, inc.
Gan, Aron. (2014). “Between the causeway: Piracy and game s in 90s Singaporeâ€. Asian gaming histories e-zine
Hjorth, Larissa & Chan, Dean. (2009). Gaming Cultures and Place in Asia-Pacific.
Jason Thomas. (2019). Consumerism in Southeast Asia. (https://theaseanpost.com/article/consumerism-southeast-asia), Diakses pada 28 maret 2019
Jin, Dai Yong. Florian Schneider. (2016). “The Dynamics of Digital Play in Asiaâ€. ASIACAPE Digital Asia.
Joseph S. Nye, Jr. (2008). “Public Diplomacy and Soft Powerâ€, Annals of the American Academy of Political and Social Science, Vol. 616.
Kang, Jung & Sang-Yong Tom Lee. (2014). Korean Online game ’s Platform Competition under Two-Sided Market Characteristic. Journal of Global information.
Kshetri, Nir. (2010). “The Evolution of the Chinese Gaming Industryâ€. Journal of Technology Management in China.
Matt Synder. (2018). “China’s Digital Game Sector. U.S.-China Economic and Security Review Commissionâ€. Staff Research Report.
Mfun. (2018). “Play & Propel The Local Gaming Industry: The first and largest ecosystem to reward users in Southeast Asiaâ€. Mfun Investment Pte.Ltd
Moore, Ieva. (2013). “Cultural and Creative Industries Concept: a historical perspectiveâ€.Elsevier. Prosiding Social and Behavioral Science. Latvia.
Nobuya, Fukugawa. (2011). “How Serious is Piracy in the Videogame Industry?â€. graduate school of Engineering Tohoku University.
Nojima, Miho. (2007). “Pricing Model and Motivations for MMO playâ€. DiGRA Confrence 2007.
Scholte, Jan Art. (2007). “Defining Globalizationâ€. Coventry: clm economia
SEGA. (2018). “SEGA Sammy Holding Intergrated Report 2018â€.
South Korea Ministry of Strategy and Finance. KOREA University. (2014). “The Succes Story of the Cultural Industry in Korea: The Case of the Game Industryâ€.
Newzoo. (2015). “Preview of Southeast Asian Game s Market: Opportunities in the World’s Fastest Growing Regionâ€.
Terra, Antoni. (2016). “Copyright Law and Digital Piracy: An Econometric Global Cross-national Studyâ€. Journal of Law and Technology Vol 18, No. 1
Ting, Tin Tin. (2017). “Video Game s and Its Economy Impact in Southeast Asia Countryâ€. Malaysia: Tuanku Abdul Rahman University.
USC US-China Institute. Lisa Hanson. (2018). Lisa Hanson Discusses Video Gaming in China. (https://www.youtube.com/watch?v=IewpZBOut08), diakses pada 15 mei 2019
Zhang, Ling. (2013). Productive Vs Pathological: The Contested of Video Game s in Post Reform China. International Journal of Communication.
Downloads
Published
2019-09-20
How to Cite
Arfianda, M. R., & Gaol, D. F. L. (2019). Kebijakan Luar Negeri Tiongkok terhadap Pengembangan Industri Game Online di Kawasan Asia Tenggara 2014 – 2018: Soft Power Tiongkok dalam Industri Game Online. Balcony, 3(2), 127–134. Retrieved from https://jom.fisip.budiluhur.ac.id/index.php/balcony/article/view/207
Issue
Section
Articles
License
In submitting the manuscript to the Balcony (Budi Luhur Journal of Contemporary Diplomacy) , the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal.
- That it is not under consideration for publication elsewhere,
- The publication has been approved by the author(s) and by responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
License and Copyright Agreement
Authors who publish with Balcony (Budi Luhur Journal of Contemporary Diplomacy) agree to the following terms:
- Authors retain copyright and grant the Balcony (Budi Luhur Journal of Contemporary Diplomacy) right of first publication with the work simultaneously licensed under Creative Commons Attribution License (CC BY 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the Balcony (Budi Luhur Journal of Contemporary Diplomacy) published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
